Ridley Scott's "Prometheus" is a magnificent science-fiction film, all the more intriguing because it raises questions about the origin of human life and doesn't have the answers. It's in the classic tradition of golden age sci-fi, echoing Scott's "Alien" (1979), but creating a world of its own. I'm a pushover for material like this; it's a seamless blend of story, special effects and pitch-perfect casting, filmed in sane, effective 3-D that doesn't distract.
The film then develops horror scenes comparable to "Alien," although it depends more on action and weaponry than that film's use of shadows and silence. For me, the most spellbinding scenes involve the crew members exploring the passages and caverns inside the pyramid, obviously unvisited in aeons, and their experiences with some of the hibernating alien beings. One of the key members of this crew is David (Michael Fassbender), an android, who knows or can figure out more or less everything, even alien languages, and is sort of a walking, talking, utterly fearless HAL 9000.
prometheus film essay
The alien race in "Prometheus" shares a body characteristic that reminds me of "Alien" and countless films since: Elements can detach from them and enter into other bodies as hostile parasites. This leads to an astonishing sequence in which Elizabeth, alone on the ship, discovers she is pregnant with an alien Something and somehow finds the will to control a robot surgery device that removes it. Her later showdown with a waning oxygen supply shows equal resourcefulness; Noomi Rapace ("The Girl With the Dragon Tattoo," 2009) continues here the tradition of awesome feminine strength begun by Sigourney Weaver in "Alien."
The most tantalizing element is how it plays with the role of these DNA twins. Did they create life on Earth? The possibility of two identical DNAs as a coincidence is unthinkable. Charlie digs at Elizabeth, suggesting their existence disproves her beliefs. Her obvious response: Where did they come from? This puzzle is embedded in an adventure film that has staggering visuals, expert horror, mind-challenging ideas and enough unanswered questions to prime the inevitable sequel.
The title of the novel refers to a scientist, Victor Frankenstein, who learns how to create life and creates a being larger than average and more powerful in likeness to a man. In modern popular culture, especially in films since 1931, this creature is mistakenly referred to as Frankenstein, despite this being the name of the scientist. The novel has arguably spawned a complete genre of horror stories, and the first fully recognized science fiction novel. Early critics greeted the novel with praise and disdain.
It is surely the best farce with an archetypal monstrous storyline. It had a wonderfully crisp black and white cinematography. He has created an old monster film effect in the film with all scenes shot in spectacular black and white camera work and outdated film ratios. It ranges from slapstick and farce to dirty, bawdy humor to irreverent satire.
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Thematically, the film is at least conceptually related to Alien in that both movies deal with the unknown and the preternatural by way of interstellar travel. One key difference between the films is that Prometheus is inherently a story of human origins--almost a fictive religion. This is implied by the title which borrows the name of a Greek Titan who was indicted by Zeus for stealing fire from Mount Olympus and giving it to humankind.
The movie was released in June, 2012, almost 33 years after the release of Alien in 1979. The movie's estimated budget was $130 million, and was shot entirely in 3D. But, the movie still grossed a staggering revenue, bringing in $403 M. The film received mixed reviews from critics, some of whom were critical of the plot's alleged lack of focus, but over all, the film was well received by the public.
Her novel about a scientist who gives life to a damned creature has further parallels with the film beyond the xenomorph. Weyland creates a man-like creature in David, but denies him the full range and freedoms of human existence and reproduction.
Michael Fassbender's first on screen role came in the HBO mini-series Band of Brothers, and found studio success once appearing in 300 as a spartan warrior. He's gone on to become one of the most recognizable actors in the world playing Magneto in the long running X-Men film franchise. He's gone on to critical acclaim being nominated for two Oscars. One for his portrayal of Steve Jobs in the film of the same name, and for his role in Steve McQueen's 12 Years A Slave.
Noomi Rapace became known for her portrayal of Lisbeth Salander in the film adaptation of Stieg Larsson's Millennium series novels. She's gone on to work in big budget Hollywood films including Sherlock Holmes directed by Guy Ritchie as well as her role in Ridley Scott's Alien pre-qual Prometheus. She studied theatre in Stockholm before gaining roles in independent films, making her mark as an actress to be watched. She and her husband Ora Norell chose the surname Rapace to take for their acting careers which means "bird of prey."
Charlize Theron was a model turned dancer as a teenager. After an injury ended her dance pursuit she moved to Los Angeles to pursue a career as an actor. She was discovered by talent manager, John Crosby at a bank while she was engaged in a shouting match with a bank teller. She would go on to star in a series of films in the late 1990s and early 2000s. She became a critical success and garnered an Academy award for her role in the 2003 film Monster directed by Patty Jenkins. She continues to act in large scale films as well as becoming a producer.
Marshall-Green landed a series of television roles early on in his career. He also won a Drama Desk Award for his role in The Distance From Here a play by Neil LaBute. He continued to have success in the theatre while building his film career with such pictures as Devil and Prometheus. He is married and has two children.
An Australian actor and musician, Pearce has found roles in Neighbours, L.A. Confidential, Memento, The Road, The King's Speech, and Iron Man 3, among others. He has been nominated for AACTA, Golden Globe, and Screen Actors Guild Awards, and won a Primetime Emmy Award. Pearce was not the original choice for his role in Prometheus, but was chosen because by casting him, rather than an older actor, Weyland could be shown in the film as both his older and younger self.
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Published by Titan Books, Prometheus: The Art of the Film includes a foreword from director Ridley Scott and two essays: A Return to Science Fiction, in which Scott summarizes why he wanted to revisit the universe he created in Alien and how the progression of a story that was originally conceived as an Alien prequel mutated into an original science-fiction story.
On Monday, September 5, 1983, legendary Pacific Northwest animation-art savant/pioneer Bruce Bickford (1947-2019) premieres a preliminary cut of his years-in-the-making Prometheus' Garden at the Bumbershoot Film Festival held in the Seattle Center Playhouse. Bickford has been making animated films for nearly two decades, but upon this stunning Clay Animation masterpiece's completion (and formal release in 1988) he will be hailed by numerous critics, film historians, and fans around the world as nothing less than an artistic genius, and even "the world's greatest animator."
That year its five-day span drew an incredible 250,000 people to the Seattle Center grounds to see daily programming that included concert performances, art installations, and film/video presentations. Among the latter were a "Film Showing for Young People" at the Flag Plaza Pavilion; an "Invitational Videotape Showing" at the Snoqualmie Room; "Videotapes by Robert Hutchinson" at the Art Museum Pavilion; a "Video Mix" presentation of experimental videotape pieces produced by the Artists Television Workshop and KCTS-TV staff held at KCTS's headquarters on the Seattle Center campus; and a screening of Northwest-made films at the Eames Theatre in the Pacific Science Center. 2ff7e9595c
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